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Showing posts with label The Sevenfold Spell. Show all posts
Showing posts with label The Sevenfold Spell. Show all posts

Monday, May 31, 2010

Last Chance to Get It Right

Carina Press has been keeping me busy. I had a very tight deadline to finish up my revisions for The Sevenfold Spell, which I met. For some reason, I do well when given a deadline. I've met some tough ones, so they don't scare me anymore. Now I'm just hoping they'll like my revisions.

This was my last chance to get it right. And that does scare me. Once we're done with the tweaking, that's it! Other than copyediting, the next judges will be the readers. It's a pretty gulp-worthy feeling. I think it would have been easier to have my first pub be for a magazine, which would have had an automatic readership, and where the success or failure of the thing wouldn't all be on my back.

Anyway, Carina said they were interested in seeing more fairy tale retellings, so I'm working on another one and I'm almost 2000 words into it. The working title is Switched and it's based on Cinderella. My overall concept with these fairly tale retellings is that it is focused on innocent bystanders who are caught up in the magic. I have at least three stories in mind.

Finally, I've decided to start an email newsletter about my writing news. If you'd like to receive it, please go to tianevitt.com and use the sign-up link at the top of the toolbar.

Thanks so much for following my ramblings on writing.

Thursday, May 13, 2010

My First Fiction Sale!

Exciting news! Carina Press called me the other day, and offered to publish The Sevenfold Spell. The call came totally out of the blue (they always do, I'm told), since my submission had not even been out a month. I had a LOT of questions, and I'm afraid I pestered the editor quite a bit. I wanted to understand everything and feel comfortable with the terms, and she was very patient.

This is my first fiction sale. I have learned that it is much easier to break into nonfiction than fiction. I published a nonfiction article with my very first try. I started submitting short stories in the 80s. The 80s! Marion Zimmer Bradley sent my first rejection letter!

The fabulous Lisa Nevin read the manuscript just after I submitted it, and she suggested the exact same revisions that Carina Press proposed! Lisa, thanks for being such a great beta partner. Superwench and Carole McDonnell also critiqued a very early copy, and J. G. Paine, who is the pseudonym for another critique partner, is the one who inspired me to expand it to e-book length and send it to an e-publisher. Thanks for your help, everyone!

The tentative publication timeframe is the fall of this year!

Sunday, April 18, 2010

The Sevenfold Spell Submitted!

Got some stuff done this weekend. I submitted The Sevenfold Spell to my first epub market today. Here's hoping! I also wrote out a complete outline for A Hollywood Miracle, which I didn't really intend to do when I sat at the computer, but now that I have it, I'm going to use it. I bought some colored post-its so I can use different colors for each storyline. That way I can merge all the storylines on some sort of board, and easily be able to pick out each storyline.

Plans for this evening include sitting down with my Neo and writing another scene in East of Yesterday. Right now, my efforts are floating between AHM and EOY, but I think after tonight I'll know which one I'll want to focus on.

I also had another short story idea, but it's still on simmer.

Wish me luck for The Sevenfold Spell!

Sunday, March 14, 2010

Long Overdue Post

Wow -- I have some new followers. Welcome!

I have finished my novella, The Sevenfold Spell, and I'm currently writing a synopsis for it. I hoped to have some time to devote to it this weekend, but we had out-of-down visitors, plus an unexpected trip to the emergency room (everyone's fine now), so I'm now zonked.

I have not done very well with my pledge to submit something every weekend because I only have two stories in circulation right now. I have, at least, kept them continuously submitted. I ought to be querying my novels to more agents -- I know-- but serious querying might have to wait until the second week in April.

I'm on high blood pressure medication. I've lost fifteen pounds and the doctor thinks my blood pressure will come down on its own when I lose another ten pounds. In the meantime, it was high enough for him to want to put me on meds. When I lose this weight, I really can't let it get that high again. It was nice to have a try-on session, getting into all those pants I haven't worn in two years. In another five pounds, most of them will fit quite nicely.

When I get The Sevenfold Spell sent to my first-choice market, I'll finish up my prehistoric fantasy (called "Riven") and then I'll be working on East of Yesterday again while I shop around those four stories. Hopefully at some point, someone will want to buy one! Unless inspiration slaps me in the face with another short story (that's the way it happens for me), I'm going to stick with E of Y for a while. I've been working out things in my head even thought I haven't been writing, and I think I have changed direction on several plotlines that weren't working.

What have you been working on (writing or otherwise)?

Saturday, February 20, 2010

An Invitation - Tear Up My Opening

Here's the opening to my novella, The Sevenfold Spell. Feel free to read and if you'd like, to critique. If you've read my stuff before, this is more in the style of Forging a Legend than A Spy and a Lady. It's a retelling of the Sleeping Beauty story, through the eyes of a spinster who had her spinning wheel taken away and burned.

A pair of booted feet stopped before me. I refused to look up. One of them kicked forward, thumping against my thin shins. It smarted, but I knew it could have hurt a lot worse.

"Get up."

"Don't move," Mama said. So I didn't, except to look up at the harried constable. He frowned down at us -- a troubled frown, but not an angry one. He was portly and balding. He didn't look like an evil man, but like a good man who had been sent out to do an evil task.

A task that we resisted as we sat together in the doorway of our shop, defending our livelihood with our bodies.

The constable sighed. "Come now," he said. "I don't like this any more than you do."

"You'll have to move us," Mama said.

The constable looked over his shoulder. The fairy hovered there. She was tiny -- no larger than my hand -- with shimmery pale green leggings and tunic. Her beauty almost held one's gaze prisoner, so that was difficult to look away from her.

"Can you move them?" he asked her.

"I am not here to do your job, Constable," the fairy replied, "only to see that you do it honestly."

The constable's sigh was exasperated now. He gestured to his men. "Move them."

Mother and I were both slight. Moving us took no great effort. Suddenly, as I sprawled in the dirt of the street, our defiant gesture seemed pathetic.

Mother screamed and raised a holy fuss. She went charging back into our shop after the constable's men. I ran in after her. She flailed on their backs as they picked up the spinning wheel and carried it out.

"My daughter," she said at one point, grabbing me. "Look at her. Do you think her face will ever get her a husband? That spinning wheel is her future."

"You will be well-paid," the constable said, "as soon as it's destroyed."

They brought out the spinning wheel and flung it into the back of the wagon. Mama winced as it crashed amid the wreckage of the other spinning wheels. They had no regard for its fragile structure, its delicate beauty. They had no care that our lives depended upon that simple wooden structure.

The fairy darted out of our shop and hovered near us. She aimed her wand at our spinning wheel and a burst of colors flew out. The colors hit the spinning wheel and buzzed around it like angry bees. When the colors dissipated, the spinning wheel collapsed into all its various parts, no longer distinguishable from its neighbors.

My mother raised her arm as if to swat the fairy. I grabbed her arm.

"Remember Widow Harla!" I hissed. Widow Harla had attacked the fairy with her broom, and she had felt the fairy's retaliatory spell. She was still unable to speak.

I felt the tension in Mama's arm relax.

The constable offered my mother a chinking pouch. Mama ignored it as she held herself erect. I could tell she was determined to show no weakness. With a glance at the fairy, he tossed it at our feet. I shifted so I stood on the pouch strings. The guards climbed onto the back of the wagon while the constable and the official got in on either side of the driver, and they rumbled off down the street, the fairy flitting after them.

A few of our neighbors looked at us in pity, but also with a bit of dread. They knew that if we were to fall on hard times, they would be obliged to show us Christian charity.

It all made no sense to me. I knew there was a curse involved, but it seemed pointless to attempt to get around it by banning spinning wheels. Fairies were not so stupid as to make their spells so easily circumvented. Why bring misery to families such as ours by taking away our only means of income?

I bent down and picked up the pouch. "What will we do now?" I asked.

Mama took the pouch and hefted it. "We'll buy a loom. If we cannot spin, we will weave."

That night, the light and smoke from the bonfire of burning spinning wheels blotted out the stars.

Feedback? Comments here are welcome, or privately at tia dot nevitt at gmail dot com.